Tuesday, March 2, 2021

Fellini Rose and February Adieux

 
My mother Rose left us on the last day of February in a leap year.  There was something apropos to her way in the world that she would leave on a day that is out of sequence with the typical. She was incredibly brave at the end; on her own and knowing her body was leaving and that any last minute interventions would be without success. She made a final phone call to my sister Jacqui, saying goodbye and 'don't call 911'. My sister said, 'Mom, you know I can't do that' and she said, 'It's okay, I won't be here when they arrive'. And she was not. She left on her own terms. Recently my dear friend Perry sent me the black and white photo of Rose and I, circa 1976 that inspired this collage.  It was Mom in what I called 'high Fellini' style ~ a turban, big hoop earrings and her ever present dark glasses. A perfect way to remember her. 
 
 
Fellini Rose

 
 
Others close to me left in a February as well.  Perhaps the nadir point of the year loosens our bonds.  My three friends were all young and left too soon.  Pat and Oscar had illness take them and we got to journey with them a bit to their farewell. Peter went shockingly suddenly from an aneurysm and there was no shared journey, just a fait accompli.  Their passing was hard but their vitality stays with me.
 
 
February Adieux ~ Peter, Pat & Oscar

 I'm glad I can capture a memory.
 



Sunday, February 14, 2021

Valentine and a Bernie

 Not withstanding the odd correlation of Love and a martyred saint, it's still fun to have a Hallmark Card day to celebrate love. Love is a good thing indeed.

 

Rami Heart Frida

 

Had to take a moment and join the crowd


Bernie at the Shenandoah Valley Art Center



Friday, January 15, 2021

Two Crows and an Octopus walk into a bar

Ok. I couldn't resist the title - and why should I?? But we do have crows and octopi. These are my last collages [except for cards] of 2020.  Not particularly end-of-year significant, but just a bit.

Crows are my totem, an energy that brings me to closer connection with the 'other' in the world, to more than you can see, to sensing awareness, the interconnection of things.

I find that Crows often emerge in my work when I am feeling overwhelmed, in over my head, too much to bear and they bring with them a integrating effect.  Some collages carry a specific story, others do not.

Two Crows stands as a symbol of Crow energy.  She carries symbols, some personal to me, others not. She stands tall and strong.


Two Crows

Crows Don't Fly At Night emerged from a dream message.  I was lying awake in the middle of the night, thinking about things I needed to do, manage, handle.  I heard the message 'Crows don't fly at night', which I took as a reminder that I couldn't actually take any action in the middle of the night about the things I was ruminating over; to let it go, no flying at night.


Crows Don't Fly At Night


Some time ago my son had an affection for Octopi and I began using them in cards and collages for him, but along the way, I adopted Octopi as my own totem.  They are smart, clever, strong animals who adapt to their environment in amazing ways.  And I like to see them in settings where they are incongruous.   

Retro Octo Girls is just a fun, optimistic collage.  It began as 'anonymous content' collage - no specific theme -  when I found the Retro woman on the left. Other elements caught my eye and then Ocotpi became the cohesive element.


Retro Octo Girls