So what have I been doing?

Rightfully, I'm not a very good blogger, as blogs are meant to be. It's been pointed out to me that months between postings isn't in the true spirit of blogging, but this seems to be my rhythm. So perhaps I shall call this my Altered E Art Bulletin Board or Postcard or Hey, Here I Am Again. In any event, if anyone is out there, I hope you enjoy my occasional postings.

Awhile ago I found some wonderful wire torsos that were meant for decor in and of themselves. Naturally, they called out to me to hang things on them, to festoon them, glue them and who knows what else.

Mimi in Metal was inspired by and was for my heart-daughter Mimi. It evokes things she is interested in, travel, sewing and things I just liked and hope she would do. She's does have her own metallic edge and I thought she's appreciate the whole things.

I liked her piece so much that I went torso-seeking again and found found one for myself. In the process of working on this piece I rediscovered an craft-thing from my childhood - Shrinky Dinks. Back in the day, you could draw on the special plastic, bake it and get little 'tokens' of your drawing. Today you can print images from your PC with your ink-jet printer, bake it and get an array of plastic images. I had a delightful time creating tokens from my vintage doll-head images. The ShrinkyDink really shrinks down and I found that 4" square images became 1" doll heads. But I love how they hang within and decorate this torso. Shrinky Dinks are now a new tool in the studio. Nice use of my collection of doll arms too.

And while I was having fun with these metal art items, I found
this wonderful cup, which presented itself as the perfect foil for a gift for my dear friend, Helen at her 81st birthday - A Cup of Possibilities.

Travel and Tattoos

I've been traveling and planning to travel, so my attention has been elsewhere. But travel is a vital interest of mine and this suitcase assemblage is a tiny homage to travel. The piece is entitled 'She was often gripped with the desire to be elsewhere' which is the tag-line of the postcard that inspired this box.


Recently, I came across the post card which had been sent to me by my dear friend Francine in 1982. She knew it would speak to me and it has spoken to me again, 28 years later.

I scanned in the original postcard and as you can see, I colorized and amped it up. The box uses a motif of vintage travel stamps, as well as a vintage toy car, a billboard, a cup & saucer for all those wonderful roadside diners and an enigmatic traveler. The postcard on the car is a copy of the writing on the original card. Words from Francine past to future.

This Kat shoe was a serendipitous piece. I found the doll in my local Goodwill and realized that she really looked like the extraordinary tattoo artist, Kat VonD. So this shoe was inspired by and a bit of a homage to Kat. The metal star under her left eye holds the energy of the star tattoos the real Kat has on her face, the beading on her shoulder does the same. The back of the shoe is decorated with a chain and beads, also echoing Kat VonD's metallic edge.

I often have pieces in the studio 'under construction' for periods of time. But in between pieces, I enjoy doing collages - old-school paper collage and digital collage. I especially like making -digital mini-collages as cards for friends. I find it interesting to hold that person in mind and create an image that holds elements of what they have shared with me. I always hope my sense of what I've understood will speak to them too.

ART SHOW Memorial Day Weekend in Charlottesville, VA

My dear friend Perry Fitzhugh is offering a most interesting art showing this weekend. You'll find paintings, photography, pottery and more. All in the unique setting of a home.

315 10th Street NW
Charlottesville, VA
or by appointment
540-406-7189

Art All The Time @
www.follyproductions.com

This is the last weekend of this one-time only event. If you're in the area, do check it out.

Winters travel to Florida

This has been such a long, intense Winter, I was really looking forward to a February trip to Florida. We like the Gulf Coast near St Petersburg, where we've visited once before. This time we were going to stay at the beach. We found a wonderful interesting unique cottage, Casa Des Gatos, in Madeira Beach, which has the lovely walkable little village of John's Pass a couple of blocks down the road and were set for sun and shore.


Alas, it wasn't a fully wonderful trip. An overnight and half a morning delay at the airport before we even left Virgina. Rain, radically cold Florida weather - never got even into the 50's! - gray days and end with my husband getting a flu-like virus which totally knocked him out for 2 days! Arrrgh.

Our little cottage was lovely, even if we barely got to appreciate the wonderful gardens, but we did appreciate the cottage cats. And we spent one of the few sunny days with my old friend Donna, sitting in our cottage, drinking a lovely wine, eating area delights like a fish pate and sharing and talking and talking.

Still, St Petersburg is the home of the Salvador Dali Art Museum and we got to spend a wonderful morning there. Downtown St Petersburg also hosts a fabulous Saturday Morning Market and is there I found a wonderful Mermaid tile, which I have used an element from in my Mermaid torso here. Naturally, all the shells I found are in the piece as well. So I now have a wonderful personal evocation of the trip and the sea.

You can see the original tile and much more at How to Be A Wild Woman. The website is a collaboration of three friends, Julie, Lore and E'Layne under the guise of 3HipChics. You can't go wrong with a website that says, " We believe in wonder, magic and the power of dreaming big."

As my usual, I did a small collage journal of the trip. I like the collecting and gleaning part of these travel journals and sometimes I include images just because they like them even if they are not reminders of any specific experience. My motto is 'If I find it there, it can go in the journal.' Of course, I am not opposed to including most anything I am drawn to in most anything I create. I hold very limited rules in art.
torso back















I'm still working have on the book design for my friend, Jerry Boyd. Shift Happens - A Novel of Awakenings, is a tale of other worldly connections, meetings and understandings with a personal discovery embedded within it.





And lastly, my dear friend, Perry Fitzhugh has debuted his website of images, links and more at Folly Productions.com, dedicated to encouraging the production of folly. Folly - that which is at first perceived as foolish but in time, is seen as valuable.

Perry shares his quirky photos and unique take on things with me regularly by email and I'm so pleased he's finally on the web. His links page has some good people to check out as well. His site is a work-in-progress, so it's worth checking back to see what's next.

It’s February, waaay too much snow, but I’ve been busy

Wow, I can’t believe I haven’t been here for a whole month! But life definitely gets that way. I did have some fun at the Holidays, creating a few impromptu gifts for some special people and making a raft of mini-collage cards. Here’s a few. The tea cup is for my son and since he truly appreciated it, you can see it must be a family trait. His friend Rachel enjoyed her snake-accented jewelry torso as well, so good matching sensibility between them too.

My current project, which came about in a synchronistic way, is helping my dear friend Jerry Boyd, launch his website and get his wonderful but with that lovely touch of weird I treasure novel published. One of my other hat’s is Synchronicity Press, and I do enjoy the design element of publishing. Jerry’s cartoons are pun-filled, fantastical, whimsical and delightfully odd – all of which are great traits as far as I’m concerned.

Check out all of Jerry at ThatJerryBoyd.com. And there’s more to come too.

Holidays! Vintage! More Glue talk!

I’m wishing you all a most lovely holiday time – Christmas, Hanukkah, Solstice, Saturnalia and we can all join in together for Happy New Year. We’ve just come through a blizzard here and today we are finally dug out but not yet on the road. Snow and/or icy rain is predicted for Christmas Eve and Day, so perhaps our celebration get-together will find another day besides the 25^th to come into being. I wasn’t going to make gifts this year but got inspired to make one and – not too surprisingly – found myself making several. Now, of course, I can’t reveal any of these treasures today, but they might show up next time.

I did, though, complete the last two pieces of my vintage mood pieces. The Woolworth box is a kind of companion to the diner box. The box is decoupaged with images of vintage Woolworths. The image inside the lid is a Woolworth lunch counter. A old-time Woolworth lunch menu adorns one side. The luncheonette sign on the other. I was very pleased when I found the 7” Coke bottle. It went so well with the ‘Irvin’ doll, who I found on ebay and was actually listed as an Irvin doll, which pleased me immensely. By the way, if you are drawn to vintage 5&10 toys and dolls, check out The Old Curiosity Shop on ebay They are a husband and wife e-store that caters to the lovers of unusual and fun items that tend to bring back memories of days gone by. They have items such as old novelty toys, toys comics, books to who knows what and I’ve bought several batches of dolls from them.

Mz Kodak is an altered doll with a wonderful porcelain miniature camera teapot as her head. The photos embellishing her skirt are vintage photos, including those of my family and friends, printed onto fabric. I used the Vintage Workshop printable linen fabric sheets for inject printers. Their website offers supplies, images and how-to’s.

I especially liked the roll of film on the base. I’ve been digital for years now, I wasn’t sure you could just go and buy film at the drug store anymore. But you can and Kodak still uses the wonderful bright yellow can. Film strips also adorn the skirt and pops out of the head with flowers.

I got some nice feedback on my glue hints. Thanks especially to Deborah. Here’s another specialty glue that is an essential in my studio. It’s Judikin’s Diamond Glaze glue. This is a dimensional adhesive that dries to a clear glass-like finish. It securely holds embossed plastic, glass, beads, glitter, Vellum and many other mediums. It can be used directly over artwork for a raised finish or thinned with water for a lacquer-like finish. Unlike other clear adhesive it is mixable with dye-base inks, watercolors and pearlescent pigments to create custom colors. I find the best deal on this glue online at Create For Less, a trove of all sorts of supplies.

I use Diamond Glaze primarily in two ways. The applicator has a nice narrow tip. I drawn ‘lines’ of glue and then sprinkle micro-beads or glitter to make details. The beaded detail on Mz Kodak’s left shoulder uses this technique. This gives you a lot of control with your beading and the glue really grips the beads. Keep the piece flat until it begins to dry or the glue will continue to flow. Of course, these ‘mistakes’ may give you an effect you like. If you really don’t like it, you can wipe it off and repaint the area.

The second way is to use it as a high-glaze decoupage finish. I typically pour the Diamond Glaze over the area I want to glaze, using enough glue and tilting the piece so the glue flows. I am doing this to avoid brush strokes in the ‘glaze’. Sometimes air bubbles appear, which I simply piece with a toothpick or straight pin. You can lightly brush an area to help the flow, but I find it works best with the pour and flow technique. The Crystalline torso here is a great example of this technique. Here I also used the Diamond Glaze to hold the ‘crystals’ on the crown of the image, which are actually pieces of windshield glass. Windshield glass, by the way, makes wonderful crystal-like embellishments. I have a cache I found in the street [fortunately, not my accident]. But you could check out places who replace windshields to get a supply. I’m sure they’ll get a kick out of helping an artist.

And one last gluing technique. When using Liquid Nails, to apply pressure to insure a solid adhesion, I use medium weight removable painters masking tape. This works on flat and vertical surfaces, such as gluing on a teapot for a head. If the item is heavy, like the teapot, I usually will brace it from behind with a taller object or against the wall etc. When I glue something on an unusual surface, I often place a one pound bag of rice over the object. Yes, rice! The rice conforms to the shape and the weight ads pressure. You can also use the bag of rice to brace things.

Merry Merry. Happy Happy. Bye now.

emails!

Recently I had some emails in my in-box. One was a wonderful shout-out from Heart Woman who not only shared that she liked the work on Altered E but connected with how the sensibility of the work that I feel. My little city in the Shenandoah Valley is not a very congruent place for my altered art, so I’ve made my home on the web and it’s always special when someone ‘out there’ finds and appreciates and takes the time to share.

Another email came from an assemblage artist asking my recommendation for glue. As you can imagine GLUE is a big factor in bringing together and keeping together all the odds and ends of an assemblage. I’ve tried a slew of glues over time.

My essential and singular glue now and for the past 5 years is Liquid Nails Small Project glue. There are many other Liquid Nails, including construction grade glues but verifying that it’s ‘small project’ is important because it dries clear. Oddly, I have yet to find this glue at craft stores. I buy it at Home Depot, Lowes or WalMart. I not only use this for all the assemblage pieces but have used it to add embellishments to fabric, canvas board and more.

Small dabs will hold well. This is not a fast drying glue. Position and leave it alone. It will do a first ‘set’ in an hour or so but be sure to let the piece ‘cure’ over-night for the fullest adhesion. Typically, I glue all the pieces I can [those which can easily fit next to and with each other] in one sitting. Then I either work on another piece or go away. Yep, I often have to just get myself out of the studio so I don’t touch the work.

If you get the glue on your fingers or on the piece where you don’t want it, regular petroleum jelly will remove it. On a piece, I usually apply a bit with a q-tip and then use the other side of the q-tip to remove the glue or a piece of paper towel. On your hands, rub it on and wipe off with a paper towel.

For paper collage, decoupage and paper embellishments, my other essential glue is actually not designated as a glue. I use artist-quality acrylic Super Heavy Gel Medium. This product is meant to be used with acrylic paints to add body. I use it for that at times, but I primarily use this as my main paper glue. It’s great on flat paper as in collage but equally great in adding paper to a curved box, such as the diner box. I apply with a brush.

On flat surfaces, you can ‘burnish’ the applied piece by placing a sheet of paper over it and rubbing with a popsicle stick. You can buy paper burnishing tools. I use a wooden clay tool to burnish and I use the waxed paper from used label sheets to put over the image. Wax paper also works well, Clean up with water like other acrylic paints.

Thanks for the inspiration to talk on glue. I haven’t shared techniques much in the blog but am most happy to reply to your emails and share in a post.

I came across these wonderful dotted suitcases quite a while ago. Here Mz. Vintage Dot dances with her 30’s ceramic cat and her classic T-bird. Her dancing shoes are filled with polka dots. To get just the right size ‘dot’ for the shoes, I hand-painted some berries from fabric flowers.

The diner box is decoupaged with images from vintage diners. The wonderful odd doll comes from a lot I purchased of old 5&10 store stock. A row of red-vinyl diner stool images are decoupaged to the interior wall of the box. The large white ball and smaller balls add a dissonant texture. I call this Diner Visitation because my friend Helen said the white balls and the odd figure looked like aliens that had been dropped down into the diner. That wasn’t in my conscious mind but I loved the association.

The lovely lady is Sybil. When we look closer we see her eyes are darked, empty – a darkness perhaps open to the unseen and unknown. Does she know the other side? Were her eyes opened to know more than can be seen in the usual way. What secrets do her night black lips hint at?

Her once beautiful dress suggests dark travels. It is embellished with faded flowers, mossy tendrils and earthy tints. Black crystal beads wind her neck and a large black faceted stone adorns her bodice. A black feather adorns her blonde locks.

My son saw this doll about to be thrown away because her eyes were missing. He asked if he could have it because his mother makes things with dolls and would love her. The people found it odd that I would want an eyeless doll, but of course, it was a perfect gift for me.

People often ask me about the meaning of my assemblage pieces. Unlike my more ‘aspect art’ pieces, these are free-flowing and seem to me to dance among images and found objects that hold some kind of archetypal energy for me but they 'why' of the image appeal it is often not clear to me. The dolls are always expressing potential and all the varied aspects of being human. Or so I think!

Murals of Ocean Beach

One of the great features of Ocean Beach was it’s fabulous murals. They were in great abundance. Thought I’d share a few.


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